has been making experimental plunderphonic sound art since the late 20th Century. Her art explores the intersection of self-empowerment, social-empowerment, anti-authoritarianism, postmodernism, social critique, playfulness, anarchic joy, and a striving for sounds-yet-unheard. It is folk-art based around the fundamental truth that we are all biological sampling machines, and that our natural state as biological samplers underpins every other aspect of our existence, from the sampling of air and food to create new cells in our bodies, to the sampling of words to create new ideas, to the sampling of ideas to create new philosophies. We are organic remixers, and there is nothing more primal than the sharing of matter and energy – to pretend that sampling is a criminal act rather than the most natural act possible is to misunderstand existence itself.

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